Tribal officials and renewable energy advocates are celebrating a major legal victory after a Minnesota administrative judge ruled in favor of the Upper Sioux Community’s solar-powered casino. The dispute centers on the tribe’s right to supplement its power with on-site solar energy, while also highlighting the friction between tribal sovereignty and local utility monopolies. In federal court, a separate legal battle is underway to reclaim frozen funding from the $7 billion “Solar for All” program. Despite the federal standstill, Minnesota tribes like the Red Lake and White Earth Nations are forging ahead, successfully building their own solar infrastructure to secure energy independence.
Friday, July 10, 2026 — New report: Native student discipline disparities persist at New Mexico school district
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A new report by the New Mexico Department of Justice says Native students are disciplined more harshly and miss more school days from suspensions than other students at Gallup-McKinley County Schools. The school district has a majority Navajo student population and was the focus of a 2023 news investigation that prompted calls for further investigations.
In South Dakota, education leaders are looking into the state’s licensing exams after research shows a disproportionately low number of Native teacher candidates pass the costly exam. Native teachers are in short supply in the state and Native education advocates say that streamlining licensing requirements could be barrier.
GUESTS
Dr. Wendy Greyeyes (Diné), chair of the Navajo Nation Human Rights Commission and assistant professor of Native American Studies at the University of New Mexico
Kevin Mitchell (Diné), Gallup-McKinley County Schools Board of Education president
Priscilla Benally (Diné), Gallup-McKinley County Schools Board of Education vice president
Dr. Sherry Johnson (Sisseton Wahpeton Oyate), education director for the Sisseton Wahpeton Oyate
Break 1 Music: Dat One (song) The Delbert Anderson Trio (artist) MANITOU (album)
Break 2 Music: Medicine Wheel (song) Logan Staats (artist) Rainwater (album)
Thursday, July 9, 2026 – Native programs aimed at cultivating responsible tourism
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Tlingit and Haida Tribes, the Ketchikan Indian Community, and other communities in Southeast Alaska are urging tourists to stop disrespecting unique cultural symbols such as totem poles. Nearly two million tourists visit the region annually and tribal members are reporting an uptick in incidents of tourists mocking Native culture. The message from the tribes remains: all are welcome and respect is not optional. While promoting responsible tourism, the Ketchikan Indian Community is also launching a new initiative for visitors to purchase care packages for the community’s unhoused population. The initiative is also aimed at supporting the tribe’s year-round housing services for unhoused residents. In the Lower 48 states, a Navajo app developer has created Tribal Trailz. It aims to help visitors navigate Diné and Pueblo lands across Arizona and New Mexico and includes historical information and other resources designed to better educate tourists about traveling in ancestral homelands.
GUESTS
Richard Peterson (Tlingit), president of the Central Council of the Tlingit and Haida Tribes
Emily Edenshaw (Native Village of Emmonak), tribal administrator and CEO of the Ketchikan Indian Community
George R. Joe (Navajo), cultural consultant and creator of “Tribal Trailz”
Bobbie Conner (Confederated Tribes of the Umatilla Reservation), director of the Tamástslikt Cultural Institute
Break 1 Music: Honoring The Homeland (song) Radmilla & Herman Cody (artist) Shi Kéyah (album)
Break 2 Music: Medicine Wheel (song) Logan Staats (artist) Rainwater (album)
Wednesday, July 8, 2026 – Trump administration escalates attack on Native American museum narratives
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A new 162-page report just released by the White House flags a museum exhibition for what it says is “radical, activist ideology” that “seeks to teach disdain and inspire disgust of our great country.” The report faults Native land acknowledgements, mentions of stolen land, and the use of the term “genocide” connected to an ongoing exhibition by the National Museum of the American Indian (NMAI). The report by the White House Domestic Policy Council argues leaders at the Smithsonian Institution have pushed an agenda of social justice advocacy instead of objective historical research. We’ll talk with Native historians and curators about this new escalation of the Trump administration’s drive to change existing narratives about Native history.
GUESTS
Suzan Shown Harjo (Cheyenne and Arapaho Tribes and Hodulgee Muscogee), a founding trustee of NMAI, recipient of the Presidential Medal of Freedom, and the first Native woman elected to the oldest learned societies in the U.S. – the American Philosophical Society and the American Academy of Arts and Sciences
Rick Hill Sr. (Tuscarora), vice president of the Niagara Academy for Indigenous Relations
Dr. Samuel Torres (Mexica/Nahua), deputy CEO of the National Native America Boarding School Healing Coalition
Sierra Biidaaban Nadeau (Kchi Wiikwedong Anishinaabe), author of “What the Ancestors Say”, award-wining journalist, and reporting specialist for Miigwech Inc.
Break 1 Music: War Dance Song 1 (song) Burton Fisher, George Fisher, Charles Little Oldman, & Clifford Bighead (artist) 12 Northern Cheyenne Songs (album)
Break 2 Music: Medicine Wheel (song) Logan Staats (artist) Rainwater (album)
Tuesday, July 7, 2026 — Finding success through the art of contemporary horsemanship
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Named a “legendary Lakota horseman” by the Oglala Sioux Tribe, Fred Ecoffey (Oglala Lakota) has enjoyed a celebrated 68-year career as a jockey. After winning his debut race in 1957, Ecoffey went on to compete in more than 17,500 races, earning inductions into both the Nebraska Racing Hall of Fame and the South Dakota Sports Hall of Fame. Ecoffey, 88, has retired from professional racing, though he still helps one of his daughters with her barrel racing from time to time. Today, a new generation of young Native jockeys is taking up the mantle and finding success on the racetrack. Among them is Talliyah Timentwa (Colville Tribes), a two-time national Indian Relay champion who made her debut at Washington state’s Emerald Downs racecourse last year. We’ll speak with Native horse riders about cultivating the art of horsemanship across disciplines, from relay races and jockeying to the sport of dressage.
Fred Ecoffey (Oglala Lakota), retired jockey, elder, and “legendary Lakota horseman”
Talliyah Timentwa (Confederated Tribes of the Colville Reservation), amateur jockey and two-time Indian Relay champion
Kate Nelson (Tlingit), journalist and amateur dressage rider
Break 1 Music: My Horse (song) Courtney Yellow Fat (artist) The Lost Songs of Sitting Bull (album)
Break 2 Music: Medicine Wheel (song) Logan Staats (artist) Rainwater (album)
Monday, July 6, 2026 — Two Native artists making waves in the arts world
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A piece by artist Jeffrey Gibson (Mississippi Band of Choctaw and Cherokee) titled “Yet With a Steady Beat” is part of an exhibit in the brand new Obama Presidential Center in Chicago, which opened to the public in June. The large, colorful canvas is dotted with political buttons that would’ve been seen in movements for Native rights, farmers’ rights, and civil rights. Being handpicked by the Obamas for the exhibit is just one of several prestigious honors and awards garnered by Gibson in recent years. Meanwhile, up-and-coming artist and influencer Tyler Free-LaMere (Winnebago) is being recognized for her music composition work. Her music combines the Ho-Chunk language, which caught the attention of the National Endowment for the Arts. With the organization’s partnership, Tyler is now a published musician and her work was made available for music lessons and curriculums as an example of contemporary Native music. These are two of many Native artists making waves in the arts world.
Break 1 Music: Cherokee County (song) Kalyn Fey (artist) Garden (album)
Break 2 Music: Medicine Wheel (song) Logan Staats (artist) Rainwater (album)
Friday, July 3, 2026 — Art exhibitions offer creative interpretations of Native survival and endurance
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As the country commemorates 250 years since the Declaration of Independence, several galleries are exploring the enduring strengths of Native Americans through both traditional and contemporary works. “Paper Trails: Unfolding Indigenous Narratives” at the Museum of Contemporary Native Art in Santa Fe, N.M. aims to stretch the boundaries of the paper medium while also examining Native cultural survival in the face of colonization. “Constellations of Place” at the Center of Southwest Studies at Fort Lewis College is centered on a visual history of Native people in Colorado. And Seattle’s Tidelands Gallery compiles a narrative inspired by “Lushootseed Creation Stories”. We’ll talk with artists and curators about how art inserts itself into the narratives being told about the origin of America.
We’ll also hear about the year-long streaming Native film festival, “Everything is Connected”, developed by Vision Maker Media.
This is an encore presentation so we won’t be taking calls
GUESTS
Alana Stone (Sičhą́ǧu Lakȟóta and Diné), curatorial specialist at Vision Maker Media
Matika Wilbur (Swinomish and Tulalip), author, photographer, and CEO of Tidelands Native Art Gallery
Melissa Melero-Moose (Northern Paiute), artist and co-curator of “Paper Trails: Unfolding Indigenous Narratives”
Dr. Meranda Roberts (Yerington Paiute Tribe and Chicana) guest curator for “Constellations of Place”
Break 1 Music: Atomic Drop [feat. Northern Cree] (song) The Halluci Nation (artist) Path of the Heel (album)
Break 2 Music: Tsudadatla Tsisqwa (song) Kalyn Fay (artist) Garden (album)
Thursday, July 2, 2026 — Native Hall of Fame recognizes leaders and advocates whose work benefits tribes and community
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Carol Juneau (Mandan, Hidatsa, and Arikara Nation) helped build and shape the foundation of what is now the Blackfeet Community College in the late 1970s. Her educational work led her to advocacy and elected office as she served 12 years in the Montana legislature. Juneau is one of six Native leaders in this year’s class of National Native American Hall of Fame inductees.
In this program, we’ll learn more about Juneau and other Native legends including Dwight Birdwell (Cherokee), an honored marine veteran who’s about to mark his 50th year practicing law.
GUESTS
James Parker Shield (Little Shell Chippewa), founder and CEO of the National Native American Hall of Fame
Carol Juneau (MHA Nation), 2026 National Native American Hall of Fame inductee, retired educator, and politician
Brandon Yellowbird Stevens (Oneida Nation of Wisconsin), strategist for the Oneida Nation of Wisconsin
Dwight Birdwell (Cherokee), 2025 NNAHOF inductee, Army veteran, and attorney
Break 1 Music: 20/20 (song) Blaine Bailey (artist) Indian Country (album)
Break 2 Music: Tsudadatla Tsisqwa (song) Kalyn Fay (artist) Garden (album)
Wednesday, July 1, 2026 — Native historians elevate overlooked history in the wake of America250 celebrations
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Fifteen days after the adoption of the Declaration of Independence, the new nation signed its first international treaty with the Wolastoqey and Mi’kmaq Nations of present-day Maine. It’s a history that historian and Houlton Band of Maliseet Indians ambassador Osihkiyol Crofton-Macdonald wishes more Americans knew. Brown University assistant professor and Narragansett Nation citizen Dr. Mack Scott III is working to get Black and Indigenous histories better integrated into the K-12 curriculum in northeastern schools. This includes histories like how Narragansett citizens fought in the 1st Rhode Island Regiment, a unit long celebrated as an all-Black unit. We’ll hear from Native historians about reclaiming these narratives along with their tribes’ stories from 1776.
GUESTS
Osihkiyol Crofton-Macdonald (Wolastoqey). tribal ambassador for the Houlton Band of Maliseet
Mack Scott III (Narragansett), assistant professor at Brown University
Jeremy Johnson (Delaware Tribe of Indians), cultural education director for the Delaware Tribe of Indians
Break 1 Music: Wolastoq Song by Saqatay (song) Mawi Sakolikapuwicik Singers (artist)
Break 2 Music: Tsudadatla Tsisqwa (song) Kalyn Fay (artist) Garden (album)
Tuesday, June 30, 2026 — The Menu: Native food and America’s origins, a tribal vineyard, and a cafe’s uninformed Indigenous branding misses the mark
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A new café in Vancouver, British Columbia faced mounting criticism from the Indigenous community for its questionable use of Indigenous branding. The incident ignited conversations about the potential harms of cultural appropriation.
Santa Ana Pueblo just entered into a partnership with New Mexico’s largest winery. The vineyard on the tribe’s reservation is just one of a handful that are owned and operated by a tribe.
As the nation celebrates the 250th anniversary of the signing of the Declaration of Independence, we’ll discuss how Indigenous foods are integral to America’s historical origins and culinary identity and how the last 250 years has impacted Indigenous food.
GUESTS
Gov. Myron Armijo (Santa Ana Pueblo)
Inez Cook (Nuxalk Nation), owner of Salmon n’ Bannock Bistro
Devon Mihesuah (Choctaw), author and Cora Lee Beers Price professor at the Hall Center for the Humanities at the University of Kansas
Break 1 Music: Susqwimtmacwaw (song) Nuxalk Radio (artist) Nusximta (album)
Break 2 Music: Tsudadatla Tsisqwa (song) Kalyn Fay (artist) Garden (album)
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